Reviews

Interalia Magazine - Paying attention to space

November 2023 - Interview with Elpida Hadzi-Vasileva.
Richard Bright – read full article

GlasgowTimes

19 November 2019 - Exhibition review including the work Kilmardinny Tree by Elpida Hadzi-Vasileva. Feature of the work 'My work is a response to the site of Kilmardinny and its history and link with Calico printing. It took me into EDLC’s archives to look at patterns and samples, and allowed me to work with some amazing local volunteers and Trails and Tales supporters, training them in the craft of gold leaf gilding in the making of the work.'
Ann Fotheringham – read full article

The Observer – The New Review

7 August 2016 - Exhibition feature in the science and tech section, with quotes from Elpida Hadzi-Vasileva and Giles Major (circulation: 221,305) - ‘Perhaps the most intriguing and unsettling aspect of the exhibition is that the majority of the work is made from artistically manipulated animal viscera, painstakingly preserved and exploited to fascinating, decorative effect.’
Kit Buchan – read full article

Wallpaper.com

22 August 2016 - Exhibition preview with quotes from Neil Walker (790,591 unique monthly users) - ‘The translucent work which covers the entire room, softly sifts the light creating a tranquil, completive space.’
Elly Parsons – read full article

Apollo-Magazine.com

11 September 2016 - Exhibition review (12,000 unique monthly users) - ‘Hadzi-Vasileva really does succeed in ‘making beauty’, which is made all the sweeter by coming from somewhere we would never seek it.’
Hazel Rowland – read full article

Aesthetica.com

16 August 2016 - Interview with the artist about the exhibition (51,000 unique monthly users) – ‘With a diversity of materials, namely organic matter, Aesthetica catch up with the artist about her new show at Djanogly Gallery, Nottingham: Making Beauty which reconfigures two of the artist’s seminal installations, Haruspex and Fragility, alongside new work produced during her year-long collaboration with UK medical research departments.’
Hazel Rowland – read full article

Culture Colony Quarterly

Winter 2016 - ‘Beauty Disclosed’, The Macedonian artist, Elpida Hadzi-Vasileva, uses animal body parts in her work, affording them the space and context to disclose their own particular and unexpected beauty. She spoke to philosopher Clive Cazeaux during her show, Making Beauty, at Djanogly Gallery Nottingham.
Clive Cazeaux – read full article

StudioInternational.com

2 October 2016 - Interview with Elpida Hadzi-Vasileva: ‘I am driven by making the impossible possible’, by Cassie Davies (85,000 unique monthly users)
Cassie Davies – read full article

Sculpture

April 2014 - “Hadzi-Vasileva has been pushing the boundaries of unusual art “materials” for some time, using salmon and chicken skins, silk worm cocoons, upside-down trees, as well as pig and cow stomachs … a range of magical, disturbing, and richly layered works with an aesthetic resonance…”
Robert Preece – read full article

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